Motorhead – Self-titled LP vinyl reissue

Motorhead - first LP vinyl reissueUnless you have lived in a cave in the middle of nowhere your entire life then you’ve at least heard of Motorhead. If you are a reader of this site I imagine there’s no way you aren’t at least somewhat familiar with them. The band has been around for close to 40 years now and they were hugely influential in both the metal and punk rock circles. In fact Motorhead was a very rare breed that transcended both genres and was liked by both even early on when if you were a punk, it wasn’t cool to like metal and vice versa. The band had the heavy guitar riffs and power of heavy metal (which when they formed was still in its infancy) and the speed and attitude of punk. Their unique sound was years ahead of its time and to this day still influences punk and metal bands all over the world.

The first, self-titled Motorhead album was released in 1977 on Chiswick Records. It was then and still is a great album. It is one of the all-time best and pretty much a first for its genre. The album was originally released on vinyl and it was in print for a number of years until the label folded and vinyl fell out of favor. It remained out of print on vinyl for over two decades until a few years ago when Drastic Plastic Records licensed it for a proper vinyl reissue. It was a very nicely packaged and good sounding record that came on colored vinyl. It didn’t take very long for that one-time pressing to once again go out of print.

When Drastic Plastic decided to reissue this album once again they went back to the drawing board and tried to improve it. They remastered the LP once again over at Masterdisk which is one of the finer vinyl mastering houses anywhere. This time around the album has a more even sound. The version from a few years back is initially louder in comparing them back to back, but that’s because everything on the high-end was hotter. This version has that toned down some and the result is you can hear the full spectrum of sound and instruments much easier. It sounds more accurate from what the original editions sounded like. Playing the album from start to finish is a very ear pleasing experience and I definitely prefer this mastering job to the last one.

The record comes in two configurations: 180gm black vinyl and gray marbled vinyl. Both are editions of 500. Each sleeve is hand-numbered on the back of the glossy black and white cover. Each record is housed in a nice poly lined paper inner sleeve guaranteed not to scuff up the vinyl as you take it in and out of the sleeve. It also reproduces the original pressing’s printed inner sleeve as a glossy two-sided insert. All this comes inside a nice resealable poly bag with a hype sticker on the front.

The vinyl format is king just like Motorhead is a king at what they two. Putting the two things together is a treat for any music fan and this legendary debut album was treated with the respect it deserves with this amazingly high-quality reissue. There should be one of these in every home and if yours is lacking one I wouldn’t wait too long before correcting that as if this is anything like the last version of this record, it won’t be around for long.

Kylesa 6/5/13 at Bottom Lounge

Wednesday night over in the West Loop, the Bottom Lounge hosted the return of Kylesa to Chicago. It had been awhile since they last played here which was out of character for the band as they tour quite often and seem to come though town regularly. They finally hit the road recently to support their amazing new album,Ultraviolet.

First up was Lazer Wulf. This instrumental trio played some really heavy and fast-tempo songs with a lot of changes and interesting riffs. They were a little reminiscent of early Don Caballero except these guys were heavier and packed more of a punch. They played tight and really had a great, powerful sound which comes across way better live than on their record. You really couldn’t have asked for a better way to start an evening of heavy music than these guys and those who showed up late to the show really missed out.

Next up was White Hills. These guys played really cool space rock/stoner rock with a great guitar sound. Their songs were a little on the long side and were both energetic and groovy. The male/female trading vocals was a cool dynamic and these guys put on an amazing set and won over the entire audience. Great stuff!

Blood Ceremony took the stage quickly. These guys mixed heavy Black Sabbath styled riffs with female vocals and keyboards. The  singer also played the flute. It was an interesting dynamic and they were entertaining however they suffered from many of their songs sounding very similar to each other.

After some sound checking the stage lights dimmed and Kylesa took the stage to what grew to be a pretty sizable crowd. They opened with, “Tired Climb” from their last album, Spiral Shadow and it was evident from this first song and how well it was played that the band was in top form. They had two drummers in the back laying down heavy beats and up front featured the alternating vocals (depending on the songs) of Laura and Phillip, both whom also provide the guitars. Phillip was also behind a big setup of effects pedals, a keyboard or two, some string instrument constructed on a skateboard and a theremin.

They quickly followed with “Said and Done” and then kept the pace going strong with selections from the past couple of albums. They paused for a drum solo that was done by both drummers simultaneously which segued into the high point of the set when they played, “Unspoken” off the new album. This could be the greatest Kylesa song ever written and it is a good example of how the band has evolved in their songwriting and sound with their latest album. The band has always been good but with this new album they found something really special and have entered the realm of greatness. The other songs they played from the new album sounded equally great and the hour or so set seemed to fly by in a matter of minutes.

The band came back out for an encore after leaving the stage because the crowd demanded it and they played a couple more songs before calling it a night. Of the many good shows Kylesa performed here, this was easily their best and hopefully they won’t be gone for so long this time before they come back and play again.

Check out additional photos from this show here!

Christian Death – Only Theatre of Pain hybrid mistake pressing

Christian Death - Only Theatre of Pain hybrid mistake pressingIn 1982 (which if you do the math was 31 years ago which means I’m getting really old) a little band from Southern California which featured Rikk Agnew fresh from his stint in the Adolescents put out their debut album on Frontier Records and defined an entire genre of music. That band was called Christian Death and the genre they pretty much invented was death rock. They may not have been the very first to do it however they certainly were the best and will go down in history as perhaps the most influential. Their debut album, Only Theatre of Pain will certainly continue to be the benchmark album in the death rock genre that all others will be judged by and never equal. There was something magical in the air in Southern California in the early 1980s and so many bands at that time released records that went on to become timeless classics that are being enjoyed today by people who weren’t even born back when these records were released.

So as a Christian Death fan and a vinyl collector did you ever say to yourself, “I would sure like that remastered Christian Death LP but I’m a purist and prefer the original pressing’s cover art. If only there was some way to blend the two”. Well quirky death rocker, you can now have your wish thanks to an error at the pressing plant where they accidentally used the wrong covers to fill a repressing order.

The remastered edition of Only Theatre of Pain featured a parchment looking cover with slightly different artwork and the vinyl was remastered from the original tapes and sounds better than ever. The first pressing came with a bonus 7″ that was exclusive to that pressing only and is now gone. Since this record is one of the finest records of its time and still sells regularly, the label ordered up a new repress on white vinyl. The intention was it was to be a white vinyl record in the same new sleeve as the first pressing (sans bonus 7″) and that’s what they asked for but when the boxes arrived from the plant what was inside wasn’t at all what they expected.

What they got was the white vinyl remastered LPs housed in the old original artwork covers that were used for the final few pressings before the remastering. It contains the two-sided lyric sheet that was found in the first pressing of the remastered edition and the labels are also correct for the remastered edition. Much like when they accidentally  mixed chocolate and peanut butter which resulted in a popular candy bar, this accidental mixing of vinyl and covers resulted in a collectible variation of this great album. This wasn’t a large pressing, in fact it was limited to 600 so they won’t be around long at all. If you are a Christian Death collector you are going to want this one for sure as it will end up being probably the most scarce variation of this record once it is gone with the low press run plus this will be the only time you can get the “best of both worlds” mixture. If you want one you better visit the Frontier Records website and grab one while you still can.

Agent Orange – Living in Darkness vinyl reissue

Agent Orange - Living in Darkness reissueThirty-two years ago a three-piece band from southern California released their first full-length album on Posh Boy Records and a legend was born. The band had previously put out a great 7″ debut but they really found their sound by the time they entered the studio to record this LP and the result, Living in Darkness went down in history as one of the all-time greatest punk albums. No punk record collection can be considered complete without a copy of this album in it and anyone missing it should be ashamed of themselves. The album has always been available in one format or another but for the better part of the last twenty years, its availability on vinyl has been sporadic at best but usually non-existent.

A few years ago, Drastic Plastic Records righted that wrong by making this classic available on vinyl once again and they did a very fine job of it. It eventually sold out (rightfully so) and once again wasn’t available on vinyl. The label wisely decided that another reissue was in order except instead of just ordering up another batch from the plant, they decided to start over once again and remaster it again, hoping to improve on their last version. I’m happy to report that they succeeded.

They enlisted Masterdisk to handle the mastering this time and that place has a very good reputation for vinyl mastering as they have been in the business longer than just about anyone. This new remaster features a more balanced sound. The previous one sounded good but it was a little too hot in the high-end, this new cut sees it a little more subdued and the mid and low-end sounds more even as well. The overall result is a much more balanced presentation which is a more accurate reproduction of the original master. Of the four different pressings of this record (the original, Italian reissue and the two Drastic Plastic editions), I think this one sounds the best and will now be my go-to version of the record that will be spending time on my turntable when I want to listen to this album (which after owning this album for close to 30 years, is still quite often).

They didn’t just up the ante in the mastering, they did some subtle changes in the packaging too. The record comes housed in a nice poly lined paper sleeve. These more expensive inner sleeves are much gentler on the vinyl when removing/replacing it and will ensure the record won’t get scuffed in use. The label colors are also much more accurate in their reproduction of the Posh Boy look and color scheme with the Drastic Plastic name written in the Posh Boy font and made to look like the original label’s logo. The record comes with a two-sided glossy lyric sheet and it’s housed in a full-color jacket. This time out the records are individually numbered on the back cover. The record comes in two configurations; blue marbled vinyl or 180gm black vinyl. They made 500 of each. The whole thing is enclosed in a resealable poly bag with a sticker on it with details about the release.

As a long-time fan of this classic LP, I’m extremely happy to see it back in print on vinyl again for a limited time and sounding better than before. If you are a big fan of this album and already own it this is worth double dipping. If you are foolish enough to not own this then now is your chance to correct that mistake but I wouldn’t wait too long as these are likely to go fast. Drastic Plastic should be proud of themselves for out-doing their first version of this which had already set the bar for quality reissues quite high.

Pro Wrestling Blitz: Hostile Intent 5/25/13

If you are a wrestling fan can you think of anything more appropriate for Memorial Day Weekend than to have Hacksaw Jim Duggan as your special attraction? The answer is no and Pro Wrestling Blitz knew that which is why they brought in good old Hacksaw for their show on Saturday titled Hostile Intent. It featured not only an appearance by Hacksaw but a Tables and Thumbtacks match between Matty Starr and Hardcore Craig. It was a packed house on Saturday night when the wrestling action got started.


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