Archive for April, 2005

Einsturzende Neubauten – 1/2 Mensch DVD
Music Video Distributors

There has never been a band like Einsturzende Neubauten before, and there will never be one like them in the future. They are perhaps the most unique band ever to exist and they were one of the main pioneers in the genre of music that became known as Industrial Music. Neubauten aren’t just a band, they are artists who can find beauty and sound out of items others discarded in a junkyard. In fact, it is an old junkyard, or warehouse that most of this DVD was recorded.

The band seldom ever used traditional instruments, instead they would craft their own out of shopping carts, sheet metal, plastic jugs, jackhammers, sanders, etc. The lengths they would go to just to create specific sounds for their songs could almost be diagnosed as obsessive compulsive disorder. Its an amazing process that they go through to make these songs and it is quite a site to witness.

This DVD was originally recorded and released in Japan in 1985. Nearly every song on here is from their now-classic “Halber Mensch” album, which was definitely a high point in their lengthy career. That album was the middle ground between the early chaos and cacophony of their early works, and the more traditional musical structure that would follow (while never letting go of what made them so special in the first place).

More than half of this DVD is a live performance, the other is like performance art set to studio tracks. The sound is phenomenal throughout and visually it is top-notch. It really does their live show justice with the camera work and editing, you get to see every gimmick they made to create their songs up close, so close you can almost feel the sparks hit your clothes. This type of video is exactly the sort of thing you’d see up on the TV screen while visiting Wax Trax Records back in the day.

While the band continues on even today, sadly they sound nothing like they did on this DVD, nor are many of the members still part of the band. This disc features the original lineup, the combination of which made something magical that is never going to be duplicated, and the current remains of the band will never top. If you are a fan and own their albums, this is a perfect companion piece. If you are curious about the band and wanted to check them out for the first time, I couldn’t recommend a better introduction to their early works than this.

Buy this DVD
Einsturzende Neubauten official website

Pro wrestling has lost another talent this week. Chris Candido passed away this week due to a blood clot that was a result of leg surgery he underwent on Monday. I first saw Chris wrestle as part of the tag-team, The Body Donnas in the (then) WWF. I also remember watching him wrestle in ECW. Chris was a talented wrestler in his prime back then. After battling his share of “personal demons” he seemed to be on the right track landing a job in TNA Wrestling where he worked right up until his untimely passing. It appeared they were just in the beginning stages of giving him a good push. Its always sad when someone I enjoyed watching on wrestling passes away, especially long before their time (which sadly is the case with most wrestler’s deaths) and my condolences go out to his family and friends.

Painted Willie – 7″ (1984 Spinhead Records)

Painted Willie was a band whose records I would see around all the time at places like Wax Trax, but always put off buying. I always vowed to get around to picking them up and checking them out someday but something always happened that prevented me from doing so. After doing the feature on Sin 34 and realizing that Dave Markey was also a member of Painted Willie, I finally ended my procrastination and sought out the first two Painted Willie Records (a 7″ and a 12″, both on Spinhead). Well, I am glad I did because I was missing out on a pretty good band.

I once again asked Dave Markey if he’d be so kind as to share some history of his other band, since he was receptive to doing the Sin 34 history when I asked (and produced a wonderful history, much more than I could have hoped). I’m happy to say that Dave once again was willing to participate so without further adieu, I present to you The Painted Willie Story.

The Painted Willie Experience

I will keep the focus of this on the first year and a half of the band. I do not care to talk about the SST era, or the subsequent tour w/ Black Flag, and the film that I made Reality 86′d that Greg Ginn does not want anyone to see. Believe me when I say I do not like to talk about it.You can all write Ginn at SSTSuperstore.com and let him know what you think.

In early 1984 I was living in the back of a storefront on Burbank Blvd. in North Hollywood, that I had helped construct an 8 track recording studio in. The place was dubbed Spinhead, by, I believe yours truly. It was owned by Phil Newman, the bassist of Sin 34. He also was living there and attempting to run the studio as a business, but having a difficult time. Sin 34 would also rehearse there, in addition to a few other bands like Americas Hardcore and Bad Religion. I recall Phil had a side band going for a while with Greg Graffin of Bad Religion, called Glacier. I think much of that
material ended up being BR material later on.

We had no shower or hot water. Bathing was done in the industrial backyard with a garden hose. The only kitchen facility was a hot plate. I was working as a punk rock extra in movies while I was making my own movie Desperate Teenage Lovedolls during this time. From all my extra work, I can be seen most clearly in the frame with Helen Hunt in the 1980s instantly forgettable comedy Girls Just Want to Have Fun

Sin 34 was having a difficult time during this period. We were on the verge of breaking up, and the tensions between the band members was high. Julie had gotten into speed, and then heroin during this time. She would be trying to find a vein in the bathroom during half the time of our rehearsal set. Mike was also getting into hard drugs too. Phil and I were just into psychedelics at the time, so we related through that experience.

We had grown tired of the restrictions of the hardcore scene, which was crashing and burning all around us anyhow. We thought we could do more with music. I remember we were listening a lot to The Fall at this time. And Syd Barrett era Pink Floyd. Rolling Stones “Satanic Majesties Request”. Jimi Hendrix Experience “Axis Bold As Love”. Blue Cheer “Vincebus Erruptus”. This was the shit that was moving us at the time.

Phil and I wanted to do a side project somewhere along the lines of this kind of music, fused with the hardcore we had previously covered with Sin 34. We had been playing for a few years now, and had grown leaps and bounds musically. Part of it was having the studio to play in 24/7. It was great, I really miss that, even although the times were real lean and very dark.

We were friends with Vic Makauskas of the band SVDB, and he had been over a few times to jam with us. His band was also on the verge of disintegration, as were a lot of the hardcore bands of Southern California that year. SVDB were a lot more poppy/catchy/crunchy type
so-cal punk, than hardcore. I remember they were a pretty tight live band, with a definite Damned bent.

We had also met this kooky Canadian named Nick Delaney, who had just come to LA in search of the Punk Rock N Roll (yikes) dream. He was an eccentric, and very awkward socially, but his guitar playing and song
writing was extremely unique. He was in a few bands from his native Vancouver, Canada, namely No Exit and East Van Halen.

Nick was out of his mind, and never touched a drug in his life. He took to calling himself Will at this time (after the name of the band, of course). I remember he shaved his head, except for a small circle on the top, which he died blue, with, a black center. He would
later explain, this was the island on his head. He would affix a cocktail umbrella to the center of it, and claim to take naps there in the late afternoon.

Somewhere around this time, Sin 34 breaks up. We would regroup a few months later with the offer of a “big gig” at the Olympic Auditorium opening for Fear and the Circle Jerks. I think we played once more at the Cathay De Grande before the band finally rested, once and for all. NOFX would open that show for us, I believe it was one of their first gigs.

So Phil and I start Painted Willie as 4 piece. 2 guitars (Vic and Nick), and Phil and I on bass and drums respectively. Phil had dubbed the band Painted Willie from a 1950’s thesaurus he had found in a thrift store. Apparently it was an old English acronym for homosexual, or more approximately transvestite.

Right before our first show, at the Cathay De Grande dollar punk night, Vic dropped out of the band. Apparently his straight forward rock guitar playing didn’t jibe with the wild/avant garde stylings of Willie (Nick). Willie was getting more and more out there, with so much energy and ideas constantly exuding from him. It grew hard to tell if he was a genius or a complete freak. I guess we found our own Syd.

So we debuted as a three piece, and quickly recorded a three song (one song each from each member) 7″ EP simply titled “Painted Willie” (Spinhead 03), at our own home/rehearsal/recording studio Spinhead. “Ragged Army” (Will, er Nick’s) best song by far, “Paper Tiger” (my tune, with a definitive Meat Puppet II influenced mid-section), and Phil’s stunning “Kill It” as the B side. It’s a gritty and unique record, with odd time signatures and quirky arrangements. Still sounds great today, if I don’t say so myself.

The band had a hard time getting gigs, and it seems the Sin 34 fans were mixed on this decidedly different musical outing. There was a fair amount of airplay on KROQ’s Rodney On The Roq show of the single. But the music scene in LA in 1984 was just a little whack. All of the clubs had closed, and punk rock, post-punk, post-hardcore, whatever you wanted to call it- had no venues after the Cathay shut it’s doors. It was in that time I first heard the word “alternative”, and it was used in a review in Option magazine, to describe our debut single. I mean, it may have been used previously somewhere. But I had never seen it.

It only took a month or two of “Will” Nick’s living with us in that crammed back room of Spinhead, for tensions to come to a boiling point. It was kinda like the Jim Jarmusch movie Down By Law.

In July of ‘84 my Lovedolls movie was screened for the first time ever (before the premier proper) in Spinhead Studios. It was around this time that Phil and I had given Nick his notice. As much as I liked the guy, and his songs, he was just too much to live with. I think Phil was adamant about booting him, and I was more or less in agreement.

So Nick was out, and it was just back to basics. We recorded a 12″ EP at this point, as a two piece. Phil played the guitar parts, and quite amazingly at that. I took the photograph that graces the simple black & white cover. It was a homeless man in downtown LA’s skid row, covered in an American flag. We titled the EP My Fellow Americans. The Los Angeles 1984 Olympics were underway. Ronald Reagan was reigning supreme in the White House. This would be Painted
Willie’s decidedly most political record in the band’s brief 3 year history.

“My Fellow Americans” opens the EP with a dirgey but catchy instrumental with a political discourse layered over the top of it. The left wing discussion is mixed to the left channel, and is spoken by the Dutch band BGK. The right wing claptrap is on the right channel, and is spoken by various girlfriends of the band, one notably Jennifer Finch, future of L7. They were not speaking seriously of their political leanings, Phil and I had told them to be as conservative as they could imagine being. It’s an interesting track, and it was the one that got the most airplay on this disc.

That is followed by “Part Two”, a Phil composition originally performed by Sin 34, but never recorded. The song was inspired by the gloomy nuclear nightmare movie “On The Beach” and tells the story of an atomic bomb survivor in his last moments of life.

“Crossed Fingers” opens side 2 of disc, which yours truly warbling my lyrics of genuine hope vs. direct action. It’s one of my favorite songs I have ever recorded. Phil wrote the music, and it was created
during the early years of Sin 34. I remember Julie’s version of that song, it was called; “It’s The Great Punk In, Charlie Brown”. Too bad that was never recorded.

It’s followed by a punk/funky anti-Ronny Reagan song I wrote and sang called “Republican Suntan (Sunburn)”. It’s decidedly light hearted and comic relief on this collection. The side closes with a psychedelic instrumental of the title track “My Fellow Americans”.

Vic Makauskas would then rejoin the band and at this point the music transforms pretty much into a neo-metal band, a little less interesting but not without it’s moments. The band would go on another year and a half before permanently disbanding in late
1987.

Those first two EPs and other demo recordings of that era also comprise the last release ever from the band titled “Relics”. I believe this to be the bands strongest material.

-Dave Markey

Thanks once more Dave for the great history. The Painted Willie records on Spinhead are long out of print, however due to the fact they went largely overlooked, they aren’t terribly difficult to find for a fair price and are well worth grabbing if you come across them.

Listen to “Kill It” from the record (right click and “save target as…”)

I lost my job today. I was laid off. Well, not just me, all of us were really. I’m fucked because I don’t know what I am going to do. My options for what I did for a living (assistant video game designer) are pretty limited in Chicago. I’m still in shock and it is just starting to set in that I’m pretty much screwed. I don’t think this week could get off to any worse of a start. Come to think of it, this year so far hasn’t been so hot. Everyone please wish me luck because I am sure as hell going to need it.

Chicago has been known to produce some fine punk rock bands, even if they may have not received as much attention as bands from California or New York. One of the best bands Chicago ever gave birth to was Articles of Faith. In their career they left us a pair of 7″s and a pair of albums, along with a few compilation tracks.

In 1982 the band released this, their first 7″. It came out on the Version Sound label, which also put out a couple cassette compilations, and 7″s by Negative Element, Die Kreuzen and Rebel Truth. After the first pressing of this sold out, I believe the label had ceased operations so the band reissued it on their own label, Wasteland Records. The same stampers were used for both pressings, the only thing that differed was the label on one side, and the back sleeve was changed to have the Wasteland Records info in place of the Version Sound info.

The first pressing had a black and white sleeve, and Version Sound labels. I would guess there was 500-1000 of them pressed.

It was later reissued on Wasteland Records with 3 different sleeve possibilities. Since the sleeve for all pressings consisted of two printed sheets, some front and back sleeves for this pressing didn’t necessarily match. The variations are as follows.

Blue front and back sleeve,

all the Wasteland variations had this label in place of the Version Sound label…

red front and back sleeve,

and blue front sleeve with red back sleeve.

I imagine the mixed sleeves were a result of leftover parts used to put records in. I have never seen a red front w/blue back though that’s not to say one doesn’t exist.

In 1991 Bitzcore Records released the Core album which compiled all the 7″ and compilation tracks on both LP and CD (the LP had a limited pressing on white vinyl which I am in need of), however all the songs were remixed so they sound different than they did on the original releases. Unlike a lot of remix efforts, they did this one right and the sound is excellent and the songs sound a lot more full.

A couple years ago, the material was released yet again on Alternative Tentacles as part of a two-part reissue series titled AOF Complete.

More reading:
Get yourself some AOF on CD: Volume One and Volume Two.
AOF Complete site
Vic Bondi’s website

Government Issue – Live 1985 DVD
Music Video Distributors

I think anyone who knows even only a little about me knows what a huge Government Issue fan I am. I put out one of their records even! I am also a huge fan of Flipside fanzine, and all things associated with it, including their videos, which this was once a part of. So in one fell swoop, I hold in my hands a document of not one, but two things of my punk rock past, GI and Flipside Video.

In 1985 Government Issue flew out to California on Mystic Records’ tab and played a handful of shows out there while recording some studio tracks at Mystic Studios for what became the Give Us Stabb or Give Us Death EP. Flipside filmed a couple of the shows they played out there and compiled it together which has now been preserved on DVD.

The first show was from June 3, 1985 at Fender’s. While the quality certainly isn’t up to today’s standards, back in 1985 Flipside put out some nice amateurish videos that were certainly well above the quality of a guy taking his mom’s video camera to a show. There is a couple of glitches in the video likely due to the age of the source tape but it is pretty minor. The sound is rather vocal heavy, but it still sounds pretty good and is certainly enjoyable. The show itself was your standard GI fare, which if you never got a chance to see them, was always top notch. Stabb is a charismatic front man and also one of the nicest guys in punk rock and would keep the crowd entertained with his between song banter. There is 10 songs in the set they played, mostly from Joyride and The Fun Just Never Ends.

The second show was recorded a couple months later at the Olympic Auditorium on August 9, 1985. For those who may not know, the Olympic was/is a 10,000 seat venue that used to do large concerts and wrestling shows for years. The place is still there, though I’m not sure they are still doing concerts anymore, or wrestling for that matter. Back in the mid 80’s, Goldenvoice Productions, then led by Gary Tovar, used to book these huge hardcore shows with a ton of bands and they’d pack the place. This show was one of those affairs and was the biggest size show GI ever played. Stabb mentions in the liner notes feeling a bit out of place on such a huge stage but you’d be hard pressed to notice watching this video. It didn’t stop them from delivering the goods. The video and sound quality are a bit better for this show, especially in the sound department where it is a much more even mix. They also played a longer set at this show as well.

Sadly there are no extras on the disc, but I chalk that up to the lack of material available as there must not have been many videos and video interviews shot back in those days, or if there was it wasn’t made available. A modern-day interview would have been cool with the ex-members. It is no deterrent from owning this however as this is really all about a document of a great band whose time is long over and I for one am ecstatic to see this not only being preserved on a format that won’t rot or fall apart, but made available to people like me who want another souvenir of those days, or for someone who wasn’t there at the time and wants to see what he/she missed.

Want one for yourself? Get it here.